Chicago Film Archives has restored two remarkable “lost” films that shed new light on an overlooked chapter of Chicago history: the role of gangs in West Side neighborhoods in the 1950s and 1960s, especially the organization known as the Vice Lords and, later, the Conservative Vice Lords. LORD THING in particular qualifies as a major rediscovery, not only for its eye-opening subject matter, but also for its dynamic style--an urgent mosaic of speeches, recollections, on-the-spot footage, and vigorously staged rumbles. Spawned by poverty and police harassment, the Lords eventually turned from destructive street violence to constructive social activism, only to be targeted by the Daley administration as a political and economic threat.DeWitt Beall’s LORD THING (1970) is a film that “begins in the ghetto streets of the mid-Fifties— a virtual combat zone for dozens of small neighborhood gangs from different parts of the city [that in time unite] forces in a common cause.” Only a muddy VHS copy of the film had been circulating until CFA recently discovered 16mm prints in storage and under the care of Beall’s widow. This film won a Silver Medal in the Venice Film Festival.

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几日以前，一年一度的戛纳电影节在海滨小城戛纳正式闭幕。法国女导演茹斯汀·特里叶（JustineTriet）执导的影片《坠楼死亡的剖析》（以下简称“坠楼”）获得电影节最高奖金棕榈奖，这也让特里叶成为戛纳历史上第三位摘得金棕榈的女性导演，而这距离上次法国女性导朱利亚·迪库诺凭借《钛》获得金棕榈仅仅过去两年。这一结果似乎彰显了女性电影人的地位正在实质性地提高——当然，按照一些抗议者的说法，所谓“提高”可能仅仅是一个表象。就在本届戛纳电影节开幕前夕，法国著名女演员阿黛拉·哈内尔（AdèleHae

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该剧的配乐也非常出色，音乐和剧情的完美结合，让观众感受到了一种无与伦比的氛围。

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该剧是一部描绘新型贩毒活动的警匪题材电影，故事围绕警方与代号“老板”的毒枭展开，多条故事线交织，呈现出惊险刺激的场面。

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